Nov. 28th, 2011

The Blurb On The Back:

Lady Alexia, Soulless, is at it again – only this time the trouble in the air is not her fault.


When a mad ghost threatens the queen, Alexia is on the case, following a trail that leads her deep into her husband’s past. Top that off with a sister who has joined the suffragette movement (shocking!), Madame Lefoux’s latest mechanical invention and a plague of zombie porcupines – and Alexia barely has time to remember she just happens to be eight months pregnant.

Will she be able to figure out who is trying to kill Queen Victoria before it’s too late? Is it the vampires again or is there a traitor lurking about in wolf’s clothing? And do they really have to take up residence in Lord Akeldama’s second best closet?


The Review (Cut For Spoilers): )

The Verdict:

Having greatly enjoyed Gail Carriger’s previous three books in the Parasol Protectorate series, I found this a bit of a disappointment. There’s a lot of set up here, which made for a plot that meandered a little too much but my main problem was the Madame Lefoux sub-plot which just seemed entirely out of character for her based on the previous books. I think that the changes that are in place by the end of the book are interesting and I’ve got high hopes for the next book, TIMELESS, but this book never rose above okay and it left me a little disappointed.
The Blurb On The Back:

Whether in the guise of a 13¾-year-old adolescent, a transvestite PM or the Queen reduced to living on a council estate, Sue Townsend has been brilliantly satirizing British life for more than twenty years. Penguin publish all of Townsend’s hilarious Adrian Mole books and The Queen in Hell Close is an extract from The Queen And I, a brilliant acerbic take on a Royal Family in dire straights.

The Review (Cut For Spoilers): )

The Verdict:

Even in 2007, this extract from Sue Townsend’s 1992 satire, THE QUEEN AND I, would have been outdated, with its positing of Diana and Charles still married albeit in a world where Britain in is a republic and the Royal Family forced to live on a council estate. Because it’s so dated and because the writing uses such broad brush strokes (except perhaps in relation to the Queen herself, who Townsend portrays with affection) there wasn’t enough here to entice me to buy the main novel.

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