The Blurb On The Back:

I heard this crazy story, and I want you to know.


It is the age of internet gossip; of social networks, repackaged ideas and rating everything out of five stars. Mega-famous celebrities respond with fury to critics who publish less-than-raptuous reviews of their work (and then delete their tweets); CEOs talk about reclaiming reclaiming ‘the power of vulnerability’; and in the world of fiction, writers eschew actually making things up in favour of ‘always just talking about themselves’.

In this blistering, addictive and very funny first book of non-fiction, Lauren Oyler - one of the most trenchant, influential and revelatory critics of her generation - takes on the bizarre particularities of our present moment in a series of interconnected essays about literature, the attention economy, gossip, the role of criticism and her own relentless, teeth-grinding anxiety.

Illuminating and thought-provoking by turns drily scathing and disarmingly open, No Judgement excavates the layers of psychology and meaning in how we communicate, tell stories and make critical judgements - to offer dazzling insights into how we live and think today.


The Review (Cut For Spoilers): )

The Verdict:

Lauren Oyler is a novellist, essayist and cultural critic. This collection of 6 interconnected essays about gossip, cultural criticism, vulnerability, ‘auto-fiction’, living in Berlin, and mental illness makes some interesting points at times but too many of the essays left me wondering what the point was while I didn’t see the purported humour and the constant mentions of her Ivy League education made her too try-hard for my tastes.

NO JUDGEMENT: ON BEING CRITICAL was released in the United Kingdom on 7th March 2024. Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

Russia’s relationship with its neighbours and with the West has worsened dramatically in recent years. Under Vladimir Putin’s leadership, the country has annexed Crimea, begun a way in Eastern Ukraine, used chemical weapons on the streets of the UK and created an army of internet trolls to meddle in the US presidential elections. How should we understand this apparent relapse into aggressive imperialism and militarism?

In this book, Sergei Medvedev argues that this new wave of Russian nationalism is the result of mentalities that have long been embedded within the Russian psyche. Whereas in the West, the turbulent social changes of the 1960s and a rising awareness of the legacy of colonialism have modernised attitudes, Russia has been stymied by an enduring sense of superiority over its neighbours alongside a painful nostalgia for empire. It is this infantilised and irrational world view that Putin and others have exploited, as seen most clearly in Russia’s recent foreign policy decisions, including the annexation of Crimea.

This sharp and insightful book, full of irony and humour, shows how the archaic forces of imperial revanchist have been brought back to life, shaking Russian society and threatening the outside world. It will be of great interest to anyone trying to understand the forces shaping Russian politics and society today.


The Review (Cut For Spoilers): )

The Verdict:

Sergei Medvedev is a Professor in the Higher School of Economics in Moscow. This is a very readable book (translated from Russian by Stephen Dalziel) first published in Russia in 2017 and published in the UK in 2020 that’s scarily relevant and prescient to Russia’s recent invasion of Ukraine. Through short essays, Medvedev describes what’s driving Putin’s colonialism and how it’s caused by Russia’s failure to reckon with the traumas of its past.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

Is Weekend Update fake news?
How can we tell the difference between satire, smart-assert, and seriousness?
What is the benefit of jokes that cause outrage?
The Church Lady has a bad case of moral superiority. How about you?
What can Wayne and Garth teach us about living a happy life?


Live from New York for over forty years, Saturday Night Live is seriously funny, and through decades of sketches, monologues, commercials, music acts, and a huge cast of recurring characters, NBC’s original late-night comedy sketch show has brought a touch of levity to everything that is laughable about modern life. Many of the greatest minds in modern comedy - Bill Murray, Eddie Murphy, Steve Martin, Tina Fey, Amy Poehler, Chris Rock, Kate McKinnon and more - have honed their craft at SNL, finding fresh ways to highlight the ridiculous and absurd in our boardrooms, newsrooms, mailrooms, sorority houses, music studios, churches, schools, and everywhere in-between. Politicians from Gerald Ford to Donald Trump have had their faults and foibles lampooned by SNL’s election sketches and satirical news segments, and all the while, Weekend Update has shown us that the medium is the message.

Of course, comedian-philosophers from Socrates to Sartre have always produced and provoked us, critiquing our most sacred institutions and urging us to examine ourselves in the process. In Saturday Night Live and Philosophy, a star-studded ensemble cast of philosophers takes a close look at the “deep thoughts” beneath the surface of the award-winning late-night variety show and its hosts’ hijinks. In this book, philosophy and comedy join forces with the strength of the Ambiguously Gay Duo to explore the meaning of life itself through the riffs and beats of the subversive parody that gives the show its razor-sharp wit and undeniable cultural and political significance.


The Review (Cut For Spoilers): )

The Verdict:

Jason Southworth is a philosophy instructor at several colleges and universities. Ruth Tallman is department chair and teaches philosophy at Hillsborough Community College. This mixed bag of 20 essays (part of a series on philosophy and pop culture) examines the elements of Saturday Night Live through various philosophical schools of thought but you need to be a hardcore SNL fan or an undergraduate philosophy student to get the most from it.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

A kaleidoscopic history of Black performance, from Josephine Baker to the Midwest punk scene, through sport, sit-coms, stand-up and more.


In A Little Devil In America, music critic and poet Hanif Abdurraqib weaves a unique and intimate history of Black performance, in which culture, politics and lived experience collide. Taking readers from mid-century Paris to the moon, via dive bars, Broadway, and a cramped living room in Columbus, Ohio, Abdurraqib illuminates the poignancy and power of Black performance, whether the stage is vast - as in Beyoncé’s Super Bowl show - or small, as for a schoolyard fistfight. Each of these moments, Abdurraqib reveals, has layers of resonance in Black and white culture, the politics of American empire, and his own personal history of grief and love.

Filled with sharp insight, humour and heart, and infused with the lyricism and rhythm of the musicians the author loves, A Little Devil In America is a celebration of Black performance as it has unfolded and endured to shape individual lives and entire cultures.


The Review (Cut For Spoilers): )

The Verdict:

Hanif Abdurraqib is a poet, essayist and cultural critic. This fascinating collection of interconnected essays (organised into 4 movements) reviews different types of Black performance in the arts and sport by incorporating commentary on specific performers from Beyoncé to Dave Chappelle and Mike Tyson together with examples from Abdurraqib’s own life to contextualise Black performance within Black lived experience to moving effect.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

White Girls is about, among other things, blackness, queerness, movies, Brooklyn, Love (and the loss of love), AIDS, fashion, Basquiat, Capote, philosophy, porn, Louise Brooks and Michael Jackson. Freewheeling and dazzling, tender and true, it is one of the most highly acclaimed essay collections in years.

The Review (Cut For Spoilers): )

The Verdict:

Hilton Als is a Pulitzer Prize winning critic and an Associate Professor of Writing at Colombia University. In this collection of 13 smart and provocative essays (9 of which were first published in 2013) he tackles such subjects as race, homosexuality, AIDS, Richard Pryor, Michael Jackson and André Leon Talley and memory and although some of it went over my head (mainly due to unfamiliarity with the subject) I enjoyed his insight and passion.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

The eyes of the world are on the Middle East. Today more than ever, this deeply troubled region is the center of power games between major global players vying or international influence. Absent from this scene for the past quarter century, Russia is now back with gusto. Yet its motivations, decision-making processes, and strategic objectives remain hard to pin down.

So just what is Russia up to in the Middle East? In this hard-hitting essay, leading analyst of Russian affairs Dmitri Trenin cuts through the hyperbole to offer a clear and nuanced analysis of Russia’s involvement in the Middle East and its regional and global ramifications. Russia, he argues, cannot and will not supplant the United States as the leading external power in the region, but its actions are accelerating changes that will fundamentally reshape the international system in the next two decades.


The Review (Cut For Spoilers): )

The Verdict:

Dmitri Trenin is the Director of the Carnegie Moscow Center and in this timely and fascinating book that provides a much-needed counterpoint to Western media thought pieces that made me rethink my assumptions about Russian international policy, he examines Russia’s history and interests in the Middle East to assess its impact in the region and its wider strategy on the global stage.

WHAT IS RUSSIA UP TO IN THE MIDDLE EAST? was released in the United Kingdom on 27th October 2017. Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

An anthology of sci-fi, fantasy and horror stories, and non-fiction by English and Creative Writing undergraduates at Brunel University London.

The Review (Cut For Spoilers): )

The Verdict:

This is an anthology of stories and essays in the SF, fantasy and horror genres written by undergraduate students studying English and/or Creative Writing at Brunel University. It’s edited by Kirsty Capes (with Frazer Lee and Nick Hubble serving as Supervising Editors) and Nick Hubble’s introduction sets out Brunel University’s association with SF, fantasy and horror, which is particularly interesting as I had no idea of Ken MacLeod’s association with the university and how it pops up in his writing. Because the writers are all undergraduates, you can’t go into this anthology expecting to find writers at the top of their game – they’re still learning their craft – but there’s a lot of promise on show here and it’s really good to see writers who are completely new to the genre making a positive contribution to it.
The Blurb On The Back:

Daisy and Hazel invite you to discover their untold stories …


Daisy Wells and Hazel Wong are famous for solving murder mysteries. But there are many other intrigues in the pages of Hazel’s casebook, from the spooky Case of the Deepdean Vampire, to the baffling Case of the Blue Violet, and their very first whodunit: The Case of Lavinia’s Missing Tie.

This collection is packed with brilliant mini-mysteries, including stories about rival detectives, the Junior Pinkertons, and honorary Detective Society members, Beanie and Kitty. Peppered with puzzles, facts and tips on detecting, this is the perfect book for budding sleuths and fans of the award-winning, bestselling Murder Most Unladylike series.


The Review (Cut For Spoilers): )

The Verdict:

Being honest, I’d much rather have had another full length mystery but this collection of short stories, essays and puzzles is perfectly fine as an interim book and there’s more than enough to keep the target audience busy until the next book comes out.
The Blurb On The Back:

Every arena of science has its own flash-point issues – chemistry and poison gas, physics and the atom bomb – and genetics has had a troubled history with race. As Jonathan Marks reveals, this dangerous relationship rumbles on to this day, still leaving plenty of leeway for a belief in the basic natural inequality of races.

The eugenic science of the early twentieth century and the commodified genomic science of today are unified by the mistaken belief that human races are naturalistic categories. Yet their boundaries are founded neither in biology nor in genetics and, not being a formal scientific concept, race is largely not accessible to the scientist. As Marks argues, race can only be grasped through the humanities: historically, experientially, politically.

This wise, witty essay explores the persistence and legacy of scientific racism, which misappropriates the authority of science and undermines it by converting it into a social weapon.


The Review (Cut For Spoilers): )

The Verdict:

Ultimately I found this a clearly written, fascinating read about the misuse of genetics and anthropology with clear arguments that I found compelling and I would definitely check out the other 2 books in this series (IS RACISM AN ENVIRONMENTAL THREAT? By Ghassan Hage and ARE WE ALL POSTRACIAL YET? By David Theo Goldberg).

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

New York, Washington, Madrid, London, Paris, and Brussels – the list of Western cities targeted by radical Islamic terrorists waging global jihad continues to grow. Does this extreme violence committed in the name of Islam point to a fundamental enmity between the Muslim faith and the West?

In this compelling essay, leading authority on Islam Tamara Sonn argues that whilst the West has many enemies among Muslims, it is politics not religion that informs their grievances. The longer these demands remain frustrated, the more violence has escalated and recruitment to groups like Islamic State has increased. Far from fuelling the spread of Islamic extremism, Western military intervention has helped to turn nationalist movements into radical terrorist groups with international agendas. Islam, Sonn concludes, is not the problem, just as war is not the solution.


The Review (Cut For Spoilers): )

The Verdict:

Tamara Sonn is a Professor in the History of Islam at Georgetown University and in this essay she sets out the basic tenets driving Al Qaeda and Daesh’s campaign against the West, including a summary of the events governing how they were founded and operate and a brief discussion of how their ideology differs from Islamic teaching. It’s an interesting read and a good summary for those seeking an introduction to the subject but anyone who has been following this in the press won’t find anything new here and while Sonn argues that the terrorists’ beliefs are incompatible with Islam, there is no analysis about whether they are nevertheless deeply and sincerely held beliefs that use some Islamic teaching to support them and nor is there any real mention of the Saudi’s funding of Wahhabism and how that feeds into Daesh recruitment.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

A guys walks into a bar …


From here the story could take many turns. A guy walks into a bar and meets the love of his life. A guy walks into a bar and finds no one else is there. When this guy is David Sedaris, the possibilities are endless. In Let’s Explore Diabetes With Owls, Sedaris delights with twists of humour and intelligence, remembering his father’s dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant) and the time he considered buying the skeleton of a murdered pygmy. By turns hilarious and moving, David Sedaris masterfully looks at life’s absurdities.


The Review (Cut For Spoilers): )

The Verdict:

This collection of 19 essays and six monologues contains some material familiar to those who listen to David Sedaris’s successful Radio 4 show, although there was much here that was new to me. I found the collection a little slow to get going and didn’t enjoy the earlier pieces as much as I did the latter ones, while the targets of some of the monologues (specifically included as he’d met a number of teenagers looking for pieces to perform for school) a little too broad for me to really enjoy the humour. That said there were some essays where I genuinely laughed out loud (particularly one where Sedaris finds himself on the verge of buying the skeleton of a murdered pygmy and one where he succumbs to his father’s demand that he get a colonoscopy) and I’ve always enjoyed Sedaris’s willingness to reveal his own foibles and shallowness. For that reason, I will pick up his back catalogue as I eagerly await his next collection.
The Blurb On The Back:

Untold Stories is Alan Bennett’s first collection of prose since Writing Home and takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Also included are his much celebrated diaries for the years 1996 to 2004, as well as essays, reviews, lectures and reminiscences ranging from childhood trips to the local cinema and a tour around Leeds City Art Gallery to reflections on writing, honours and his Westminster Abbey eulogy for Thora Hird. At times heartrending and at others extremely funny, Untold Stories is a matchless and unforgettable anthology.

The Review (Cut For Spoilers): )

The Verdict:

In an anthology that’s part diary, part straight autobiography, part extracts from his work and part essays, Alan Bennett shows his talent for both comedy and tragedy to great effect. However because there are so many different components to the book, it didn’t really hold together in the sense that there’s no real sense of a common thread running through it. As such, it’s a great book to dip in and out of (and I think it’s a must for Bennett completists) but it is exhausting to sit down and read through it from beginning to end in one sitting.
The Blurb On The Back:

Penguin first published woman-about-town India Knight in 2000, introducing with My Life on a Plate a voice as fresh as a skinny latte. In On Shopping Knight celebtrates the joys of retail therapy and shares with us the many and varied pleasures to be found online and on the high street, as well as her conviction that if you don't enjoy shopping, you're simply not doing it properly.

The Review (Cut For Spoilers): )

The Verdict:

I suspect that you'd get more out of this if you were already a shopaholic, particularly with the store/web recommendations that Knight makes. However, for someone who doesn't live to shop, it didn't really do it for me.

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