The Blurb On The Back:

There is no blurb on the back, instead you get the following quotes:

”The larval form of a new kind of SF munching its way out of the intestines of the wasp-paralysed caterpillar of cyberpunk.”

Charles Stross


”A technicolour jazzy rollercoaster ride into a dazzling hell.”

Andre Brink


”I recommend it highly.

Paul Cornell


”Think V For Vendetta, but with third world angst, an outrageously narcissistic trust-fund blogger, and a township soccer team with an insurrectionist agenda. Tell your teacher you want to read Moxyland or you’ll shoot up your school.”

NAG Online


The Review (Cut For Spoilers): )

The Verdict:

Lauren Beukes’s debut SF novel is a dystopian cyber-thriller with some great ideas that makes interesting use of its Capetown location and South Africa’s history but ultimately can’t rise above its two-dimensional characters. I loved the way Beukes uses phone disconnection as a literal means of cutting people off from society and how companies trawl orphanages and camps looking for young talent to mould into their corporate image. Unfortunately, none of the characters came alive for me – Tendeka is a cardboard cut-out angry revolutionary, keen to create social justice but blind to the motives of his supporters. Toby is a deeply unpleasant product of trust-fund privilege who slags off his uncaring mother while exploiting others to achieve fame on his own terms. Lerato and Kendra were more interesting given their backgrounds and how both have fought to overcome disadvantaged backgrounds to make it in their respective fields but neither show any savvyness when it counts and both are defined by their victimhood. I wanted to know more about Lerato’s relationship with the nanobots injected into her and Kendra’s views on corporate life but the book doesn’t examine this in any depth. I also found the ending downbeat and predictable, although there is potential there for a sequel. I’m a big fan of Beukes so it’s interesting to read her first book, but for anyone starting with her work, I’d recommend ZOO CITY or THE SHINING GIRLS as a more satisfying starting point.
The Blurb On The Back:

He’s lying on his side, his legs pulled up, eyes closed, face serene.

The recovery position.

Only he’s never going to recover.


Detective Gabi Versado has hunted down many monsters during her eight years in Homicide. She’s seen stupidity, corruption and just plain badness. But she’s never seen anything like this.

Clayton Broom is a failed artist, and a broken man. Life destroyed his plans, so he’s found new dreams – of flesh and bone made disturbingly, beautifully real.

Detroit is the decaying corpse of the American Dream. Motor-city. Murder-city. And home to a killer who wants to make you whole again …


The Review (Cut For Spoilers): )

The Verdict:

Lauren Beukes’s horror thriller evocatively captures modern-day Detroit and modern technology but the horror elements felt under-developed and lack explanation, which I found a little frustrating. In addition, many of the point of view characters barely rise above stock characters – particularly Jonno who ticks many of the cliché boxes for bloggers and journalists. I liked Gabi’s 15-year-old-daughter Layla, a bright girl who’s a little off-kilter but her catfish storyline didn’t grab me and didn’t go anywhere and some elements (particularly a scene involving the need to retrieve a bullet) defied logic and credibility. Ultimately, it’s an okay read with a good pace that kept me turning the pages and while it didn’t quite come good for me I would always check out Beukes’s other work.
The Blurb On The Back:

They say what doesn’t kill you makes you stronger.

But what if death came back to try again?


CHICAGO, 1931. Harper is a man out of time – yet with all the time in the world to stalk and kill his ‘shining girls’. The objects he lays by their violated bodies are more than just clues: they are the glittering threads of his obsession, a web of sick satisfaction glowing through the years.

But these things have to be right. And if a girl lived to tell the tale, well, that would have to be fixed.

CHICAGO, 1992. Kirby knows there’s something strange about the man who nearly killed her – apart from being a violent psychopath. Rejected by those who should help her, she searches for the others, the girls who didn’t make it.

What Kirby finds is … impossible. Murders scattered across the decades, accompanies by totally contradictory evidence. But for a girl who should be dead, impossible doesn’t mean it didn’t happen …


The Review (Cut For Spoilers): )

The Verdict:

Lauren Beukes time-travelling crime thriller has created a lot of buzz with good reason. Combining horrific violence, an original hook and interesting characters, Beukes kept me turning the pages. However, it does end rather abruptly and leaves some questions unanswered, which left me unfulfilled. It’s an entertaining read and perfect for the beach, but not a perfect one.

THE SHINING GIRLS was released in the United Kingdom on 9th May 2013. Thanks to the Amazon Vine Programme for the ARC of this book.
The Blurb On The Back:

Zinzi has a Sloth on her back, a dirty 419 scam habit, and a talent for finding lost things. But when a little old lady turns up dead and the cops confiscate her last paycheck, she’s forced to take on her least favourite kind of job – missing persons.

The Review (Cut For Spoilers): )

The Verdict:

Lauren Beukes’s second novel is a whip-smart, original urban fantasy that mashes the darkest elements of Africa’s supernatural culture with the worst excesses of western avarice. The mystery element frays too much in the final quarter and the way a supernatural sub-plot gets closed out made little sense, but the strong world-building and stronger first person voice of Zinzi. The fact that stories from African countries are so under-represented in genre fiction is a good enough reason on its own to check this novel out.

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