The Blurb On The Back:

From the Pulitzer Prize-winning, best-selling author and prominent investigative journalist of our time, a heartfelt, hugely revealing memoir of a career breaking some of the most significant stories of the last half-century.


Seymour Hersh’s fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the English-speaking world, honours galore, and no small amount of controversy. In this memoir he describes what drove him and how, even when working for some of the US’s most prestigious publications, he worked as an independent outsider. Here, he tels the stories behind his own groundbreaking stories as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horror of Abu Grahib. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.


The Review (Cut For Spoilers): )

The Verdict:

Seymour Hersh is a Pulitzer Prize-winning journalist known for his work uncovering the My Lai massacre, the Watergate scandal and the Abu Ghraib war crimes. This memoir focuses on his career and how he broke his biggest stories but offers nothing personal, no analysis of changes in the profession or the ways anonymous sources can be used and misused. I think the book suffers for that, leaving it an okay factual read rather than an insightful one.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

Offers fresh insights and empirical evidence on the producers, consumers, and content of News 2.0


News 2.0 has forever changed the news business. This second generation of news is made, distributed, and consumed on the internet, particularly social media. News 2.0: Journalists, Audiences, And News On Social Media examines the ways in which news production is sometimes biased and how social networking sites (SNS) have become highly personalised news platforms that reflect users’ preferences and world views. Drawing from empirical evidence, this book provides a critical and analytical assessment of recent developments, major debates, and contemporary research on news, social media, and news organisations worldwide.

Author Ahmed Al-Ravi highlights how, despite the proliferation of news on social media, consumers are often confined within filter “bubbles”. Emphasising non-Western media outlets, the text explores the content, audiences, and producers of News 2.0, and addresses direct impacts on democracy, politics, and institutions. Topics include viral news on SNS, celebrity journalists and branding, “fake news” discourse, and the emergence of mobile news apps as ethnic mediascapes. Integrating computational journalism methods and cross-national comparative research, this unique volume:

- Examines different aspects of news bias such as news content and production, emphasising news values theory.
- Assesses how international media organisations including CNN, BBC, and RT address non-Western news audiences.
- Discusses concepts such as audience fragmentation on social media, viral news, networked flak, click bait, and internet bots.
- Employs novel techniques in text mining such as topic modelling to provide a holistic overview of news selection.

News 2.0: Journalists, Audiences, And News On Social Media is an innovative and illuminating resource for undergraduate and graduate students of media, communication, and journalism studies as well as media and communication scholars, media practitioners, journalists, and general readers with interest in the subject.


The Review (Cut For Spoilers): )

The Verdict:

Ahmed Al-Rawi is Assistant Professor of News, Social Media, and Public Communication at Simon Fraser University in Canada. Although this is an interesting book about the impact that social media has on news dissemination (including “bubbles” and “fake news”) that looks beyond the US and Europe, the heavy focus on methods of analysis and statistical tools makes it more useful for students of the subject than for general readers like me.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

Despite the criticisms that have been levelled at news organisations in recent years and the many difficulties they face, journalism matters. It matters, argues Schudson, because it orients people daily in the complex and changing worlds in which they live. It matters because it offers a fact-centred, documented approach to pertinent public issues. It matters because it keeps watch on the powerful, especially those in government, and can press upon them unpleasant truths to which they must respond. Corruption is stemmed, unwise initiatives stopped, public danger averted because of what journalists do.

This book challenges journalists to think hard about what they really do. It challenges skeptical news audiences to be mindful not only of media bias but also of their own biases and how these can distort their perception. And it holds out hope that journalism will be for years to come a path for ambitious, curious young people who love words or pictures or numbers and want to use them to improve the public conversation in familiar ways or in ways yet to be imagined.


The Review (Cut For Spoilers): )

The Verdict:

Michael Schudson is a sociologist, historian and Professor of Journalism at Columbia University. This is a well-constructed, clearly argued book that sets out what journalism should be and why it is important and I did not disagree with any of his arguments. However Schudson doesn’t really tackle news media ownership and how ownership determines editorial direction and content, thereby undermining trust in journalism and increasing skepticism.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

”It may be poisoned with radiation, but this is my home … Even a bird loves its nest.”

The Review (Cut For Spoilers): )

The Verdict:

Svetlana Alexievich is a Nobel Prize winning writer who uses interviews and testimony to chart Russia’s emotional history by reference to critical events. Written in 1997 and revised in 2013, this intensely moving book (translated by Ana Gunin and Arch Tait) sees Alexievich return to her native Belarus to collect testimony from those affected by the Chernobyl disaster (both in the immediate and long-term aftermath) as they struggle to make sense of it.
The Blurb On The Back:

These are the men who stole the world.


Investigative journalist Oliver Bullough reveals the obscene dark side of globalised finance, a shadow realm of oligarchs and gangsters, unimaginable power and zero accountability. It’s a place you are unlikely to visit, but you can see its effects everywhere. Just look around.

How did we get here? In the 1950s, a small group of bankers in London had a clever idea: ‘offshore’, an imaginary zone where money could flow free. Their breakthrough created a vast reservoir of secret wealth, one that bends the laws of every nation on Earth in order to protect its masters.

Thanks to offshore, for the first time thieves could dream big. They could take everything - which is exactly what they will do, unless we stop them.


The Review (Cut For Spoilers): )

The Verdict:

Oliver Bullough is a journalist and writer specialising in Russian history and politics. In this well-researched, easy to follow book that left me incredulous and furious, he sets out how the international finance system (facilitated by Western bankers, accountants and lawyers) permits the rich and the crooked to hide their money while still benefitting from it. It’s jaw dropping stuff that makes you realise that money conquers all.
The Blurb On The Back:

Zero-hours contracts and the gig economy have redefined the relationship between companies and their workers: for many, careers are low-paid and high-risk, a series of short-term jobs with no security and little future. In this essential exposé, James Bloodworth goes undercover to investigate how working life has become a waking nightmare. From the Orwellian reach of an Amazon warehouse and the high-turnover rate of a telesales factory in Wales to the time trials of a council care worker and the grim reality behind the glossy Uber App, Hired is a clear-eyed analysis of a divided nation and a riveting dispatch from the very frontline of low-wage Britain.

The Review (Cut For Spoilers): )

The Verdict:

James Bloodworth is a left-wing journalist and broadcaster who spent 2016 working undercover in 4 low paid/gig economy jobs: an Amazon warehouse order picker; a home/domiciliary care worker for Carewatch UK; a call centre agent for Admiral insurance; and an Uber driver in London. It’s a troubling, timely and powerful look at Britain’s left-behind cities and the grim existence of those in low income work that highlights working class discontent.
The Blurb On The Back:

”I was twenty-six years old and an associate beauty editor at Lucky, one of the top fashion magazines in America. That’s all that most people knew about me. But beneath the surface, I was full of secrets: I was a drug addict, for one. A pillhead. I was also an alcoholic-in-training who guzzled warm Veuve Clicquot after work alone in my boss’s office with the door closed; a conniving and manipulative uptown doctor-shopper; a salami-and-provolone-puking bulimic who spent a hundred dollars a day on binge foods when things got bad (and they got bad often); a weepy, wobbly, wildly hallucination-prone insomniac; a tweaky self-mutilator; a slutty and self-loathing downtown party girl; and – perhaps most of all – a lonely weirdo. But, you know, I had access to some really fantastic self-tanner.”

The Review (Cut For Spoilers): )

The Verdict:

Cat Marnell was the former Beauty Editor for Lucky magazine and xojane who gained a viral following for writing confessional pieces based on her life as a drug addict and her place in New York’s beauty elite. In this repetitive, glib, self-absorbed memoir that lacks any nuance or depth, Marnell sets out a broad account of the chemical highs and emotional and physical lows of her life to date that demonstrates only that a white girl born into a well-to-do family will be forgiven the most abominable emotionally abusive behaviour provided she can string a sentence together.

Thanks to the Amazon Vine Programme for the review copy of this book.
The Blurb On The Back:

'These days, watching television is like sitting in the back of Travis Bickle's taxicab, staring through the window at a world of relentless, churning shod . . .'

Cruel, acerbic, impassioned, gleeful, frequently outrageous and always hilarious, Charlie Brooker's SCREEN BURN collects the best of the much-loved Guardian Guide columns into one easy-to-read-on-the-toilet package.

Sit back and roar as Brooker rips mercilessly into Simon Cowell, 'Big Brother', Trinny and Susannah, 'Casualty', Davina McCall, Michael Parkinson . . . and almost everything else on television.

This book will make practically anyone laugh out loud.


The Review (Cut For Spoilers): )

The Verdict:

SCREEN BURN is the first collection of Charlie Brooker’s Screen Wipe columns for The Guardian and covers the period from April 2000 to September 2004. With forewords by Graham Linehan and Brooker himself, it’s as much an interesting look at English cultural history as it is a bleakly comic read. I’m not sure that this will convert non-Brooker fans to his warped genius but it is a satisfying book with plenty to say and I thoroughly enjoyed it.
The Blurb On The Back:

Would you like to eat whatever you want and still lose weight?

Who wouldn’t? Keep dreaming, imbecile.

In the meantime, if you’d like to read something that alternates between laugh-out-loud-funny and apocalyptically angry, keep holding this book. Steal it if necessary.

In his latest collection of rants, raves, hastily spluttered articles and scarcely literate scrawl, Charlie Brooker proves that there is almost nothing in this universe, big or small, that can’t reduce a human being in a state of pure blind hatred.

It won’t help you lose weight, feel smarter, sleep more soundly, or feel happier about yourself. It WILL provide you with literally hours of distraction and merriment. It can also be used to stun an intruder, if you hit him with it correctly (hint: strike hard, using the spine, on the bridge of the nose).


The Review (Cut For Spoilers): )

The Verdict:

This book is a collection of Charlie Booker’s newspaper columns for The Guardian between August 2009 and July 2012 and includes his Screen Burn columns (which he stopped writing in October 2010) together with a couple of the monologues that he performed on 10 O’CLOCK LIVE. If you’re a fan of Brooker than there’s nothing in here that you won’t already be familiar with although that doesn’t make the content any less funny. If you’re not familiar with Brooker’s work then I think that the collection serves as good an introduction as any of his other collections (maybe better because it shows how he’s moved on as a writer). Given that this is a collection of columns and monologues, there is a sense of this being just money for old rope but if you’re a fan that won’t matter because this old rope is funny as hell.
The Blurb On The Back:

High priest of hedonism and godfather of gonzo journalism, Hunter S. Thompson was renowned for his counterculture masterpiece Fear and Loathing in Law Vegas, which described his chemical-addled adventures in 1970s America. Taken from Thompson’s brilliantly entertaining autobiography, Kingdom of Fear - the last book published before his death earlier this year – these pieces provide a hilarious but now also painful insight into the life and mind of a true literary outlaw.

The Review (Cut For Spoilers): )

The Verdict:

If you’re unfamiliar with Hunter S. Thompson’s work and are looking to get an idea of what it was about, I think that this is a decent primer. I don’t subscribe to his political and cultural beliefs, but you can see why he holds a place in America’s cultural pantheon and his articles following 9/11 seem particularly prescient today.
The Blurb On The Back:

”I don’t get people. What’s their appeal, precisely? They waddle around with their haircuts on, cluttering the pavement like gormless, farting skittles. They’re awful.


Polite, pensive, mature, reserved ... Charlie Brooker is none of these things and less. Picking up where his hilarious Screen Burn left off, Dawn of the Dumb collects the best of Brooker’s recent TV writing, together with uproarious spleen-venting diatribes on a range of non-televisual subjects – tackling everything from David Cameron to human hair.

Rude, unhinged, outrageous, and above all funny, Dawn of the Dumb is essential reading for anyone with a brain and a spinal cord. And hands for turning the pages.


The Review (Cut For Spoilers): )

The Verdict:

Bleak, misanthropic and very, very funny, this is a great introduction to Charlie Brooker’s style of writing and well worth a look. Unless your a George W Bush fan, in which case you’ll probably want to give it a miss.
The Blurb On The Back:

For his many friends and fans, Peter Cook was quite simply the funniest man they'd ever met. Cook's unique gift for laughter and the way he changed the British sense of humour forever has been celebrated in several posthumous biographies, but until now there's been no book by Cook himself. This is it.

Despite the image he liked to affect, Cook was a prolific writer who penned countless outrageous sketches, plus heaps of hilarious articles. Some of these pieces have never been published before and many have only ever been seen or heard, rather than read.

This collection gathers together the treasures of Cook's comic career, from school and university via Beyond the Fringe, alongside Alan Bennett, Jonathan Miller and Dudley Moore, to his surreal, satirical journalism for Private Eye. Illustrated with his own drawings, Tragically I was an Only Twin is the definitive collection of the wit, humour and genius of Peter Cook.


The Review (Cut For Spoilers): )

The Verdict:

Something for dedicated comedy fans more than it is for those interested in knowing precisely who Peter Cook was, there are some interesting nuggets in this book and I did learn more about what Cook's work was all about. This is most definitely not for everyone though, and be warned that the Derek and Clive transcripts have some very unpleasant moments. It is also, by William Cook's own admission, most definitely not the complete Peter Cook as some of his work has been omitted.

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