The Blurb On The Back:
In It’s Only a Movie, the incomparable Mark Kermode showed us the weird world of a film critic’s life lived in widescreen. Now, in The Good, The Bad And The Multiplex, he takes us into the belly of the beast to ask: ‘What’s wrong with modern movies?’
If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it’s been giving audiences a headache for over a hundred years? Why pay to watch films in cinemas that don’t have a projectionist but do have a fast-food stand? And, in a world in which Sex And The City 2 was a hit, what the hell are film critics for?
Outspoken, opinionated and hilariously funny, The Good, The Bad And The Multiplex is a must for anyone who has ever sat in an undermanned, overpriced cinema and asked themselves: ‘How the hell did things get to be this terrible?’
( The Review (Cut For Spoilers): )
The Verdict:
Mark Kermode’s polemic on the modern film industry is a sharply written, coherent read with a lot of wit and better still, you don’t have to be a film student in order to follow it. It’s the type of book that would appeal to anyone who claims to love cinema and I’m really keen to read Kermode’s other work on the subject.
In It’s Only a Movie, the incomparable Mark Kermode showed us the weird world of a film critic’s life lived in widescreen. Now, in The Good, The Bad And The Multiplex, he takes us into the belly of the beast to ask: ‘What’s wrong with modern movies?’
If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it’s been giving audiences a headache for over a hundred years? Why pay to watch films in cinemas that don’t have a projectionist but do have a fast-food stand? And, in a world in which Sex And The City 2 was a hit, what the hell are film critics for?
Outspoken, opinionated and hilariously funny, The Good, The Bad And The Multiplex is a must for anyone who has ever sat in an undermanned, overpriced cinema and asked themselves: ‘How the hell did things get to be this terrible?’
( The Review (Cut For Spoilers): )
The Verdict:
Mark Kermode’s polemic on the modern film industry is a sharply written, coherent read with a lot of wit and better still, you don’t have to be a film student in order to follow it. It’s the type of book that would appeal to anyone who claims to love cinema and I’m really keen to read Kermode’s other work on the subject.