Nov. 27th, 2019

The Blurb On The Back:

Siglufjörour: an idyllically quiet fishing village in Northern Iceland, where no one locks their doors - accessible only via a small mountain tunnel.

Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik - with a past that he’s unable to leave behind.

When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theatre, Ari is dragged straight into the heart of a community where he can trust no one and secrets and lies are a way of life.

An avalanche and unremitting snowstorms close the mountain pass, and the 24-hour darkness threatens to push Ari over the edge, as curtains begin to twitch, and his investigation becomes increasingly complex, chilling and personal. Past plays tag with the present and the claustrophobic tension mounts, while Ari is thrust even deeper into his own darkness - blinded by snow, and with a killer on the loose.


ExpandThe Review (Cut For Spoilers): )

The Verdict:

Ragnar Jónasson‘s debut Nordic Noir crime thriller (translated into English by Quentin Bates and the first in a series) makes full use of its atmospheric location to create a sense of choking claustrophobia but the plot meanders and I found myself bored by the emotionally immature Ari Thór and his girlfriend woes, especially as Ari Thór‘s investigation is driven more by happenstance by evidence, such that I am unlikely to check out the sequel.

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